"A Majority of One"
- Written by Leonard Spigelgass
- Opened February 16, 1959, Closed Jun 25, 1960, and ran for 556 performances.
- Performed at the Music Circus May 30 thru June 5, 1961
"Me and juliet"
- Music by Richard Rodgers - Book and Lyrics by Oscar Hammerstein II
- Opened May 28, 1953 at the Majestic Theatre (New York) and ran for 358 performances.
- Performed at the Music Circus June 28 thru July 3, 1955
"Me and Juliet" revolves around the inner mechanisms of a Broadway musical and two sets of lovers. The show-within-the-show is also titled "Me and Juliet" and stars famous literary heroes and heroines: Juliet, Don Juan, and Carmen, alongside an everyman named "Me." The main characters include the beautiful chorus singer Jeanie and Larry, the assistant stage manager. A love triangle develops when Jeanie's ex-boyfriend, Bob, a womanizing bruiser of a man and the show's lighting technician, becomes jealous of the couple who have been secretly married. Drama ensues but after Bob knocks himself out on a radiator, all ends well.
"The Merry Widow"
- Music by Franz Lehár - Libretto by Viktor Léon, Leo Stein
- Based on Sidney Howard's "They Knew What They Wanted."
- (American Preniere) Opened October 21, 1907 at the New Amsterdam Theatre (New York) and ran for 416 performances.
- Performed at the Music Circus 1949
- Performed at the Music Circus 1951
- Performed at the Music Circus June 4 thru June 12, 1955
- Performed at the Music Circus June 30 thru July 5, 1959
- Performed at the Music Circus August 20 thru August 25, 1968
Later that evening, Hanna hosts a party at her villa. Danilo arrives late, and Zeta commands him to return to his mission of keeping the Parisian men from Hanna—particularly Camille. Danilo's assistant, Njegus, reveals that Camille is already in love with a mystery woman. Zeta wants to know who she is in order to marry her off to Camille, leaving Hanna free for a Pontevedrian suitor. Believing the fan to be the key to her identity, he asks Danilo to find its owner. When Hanna comes across the fan and sees its inscription, she assumes it is a gift to her from Danilo, but he still won't say "I love you," and she will not accept him until he does. Zeta interrupts their dance, as he is still trying to learn the identity of Camille's secret lover. The men agree to meet in the pavilion to discuss the matter. Camille and Valencienne finally find the missing fan, and this time Valencienne writes "I am a respectable wife" on it. Observed by Njegus, they disappear into the pavilion. When Zeta arrives to meet Danilo, Njegus prevents him from entering the pavilion to protect Valencienne's secret and instead sneaks Hanna in to take her place. Hanna emerges with Camille, announcing their engagement. A furious Danilo departs for Maxim's, which Hanna takes as proof of his love.
Arriving at Maxim's in search of Danilo, Camille and Valencienne sneak off to one of the private rooms. Zeta and the other Pontevedrians appear, and the Grisettes—among them a dressed-up Valencienne—entertain the crowd. Eventually both Danilo and Hanna arrive. He forbids her to marry Camille. When she explains that she was merely safeguarding another woman's reputation, he is delighted but still won't declare his love. As the guests reassemble, Danilo announces that Hanna will not marry Camille, but he will not reveal the identity of Camille's secret lover. Njegus produces the missing fan, which he found in the pavilion. Zeta finally recognizes it as his wife's, declares himself divorced, and proposes to Hanna—who informs him that, according to her late husband's will, she will lose her fortune if she remarries. At this, the other men lose interest in Hanna, except Danilo, who finally declares his love and asks Hanna to marry him. She accepts and amends her account of the will: Upon remarrying, her fortune will pass to her new husband. Valencienne asks Zeta to read the other side of her fan—which reads, "I am a respectable wife." With the couples united, the men are left to wonder about the mystery of women.
"Mister Roberts"
- Written by Joshua Logan and Thomas Heggen
- Based on teh 1946 novel by Thomas Heggen
- Opened February 18, 1948 at the Alvinl Theatre (New York) and ran for 1157 performances.
- Performed at the Music Circus September 10 thru September 29, 1957
"Minsky's Burlesque Follies"
- Written by Joshua Logan and Thomas Heggen
- Based on teh 1946 novel by Thomas Heggen
- Opened February 18, 1948 at the Alvinl Theatre (New York) and ran for 1157 performances.
- Performed at the Music Circus August 15 thru August 20, 1967
Of all the Minskys, only Harold, Abe's adopted son, remained active in burlesque. At the height of the Great Depression, Harold began learning all facets of the business operating the Gaiety Theater in Times Square. "At nineteen, Harold took over the business from his father. Every summer, his parents went to Europe for vacation and the theatres would close due to the heat in New York City. Theatres weren't air-conditioned. The performers begged Harold to keep his doors open; the girls were broke, and they desperately needed the money from the performances. So Harold stayed open and, though a ticket cost a dime, 'He made over a million dollars,' claimed his wife Dardy Minsky."
Harold discovered and groomed dozens of famous names throughout the 1930s into the 1950s. He claimed to have discovered future headliner fourteen-year-old Sherry Britton from an audition. Harold also employed and nurtured first-rate comic talents such as Phil Silvers.
In 1956, Harold brought the Minsky name to Las Vegas in a revue at the Dunes. Lou Costello, after splitting with Bud Abbott, appeared in the 1958 edition of that revue. Ray Vasquez worked for Harold Minsky and Joe Gordon at the Dunes and the Silver Slipper. He kept a chorus line, top-rate comedians, a snazzy band, and, of course, strippers. The revue ran for six years, then moved to other landmark casinos such as the Silver Slipper, the Thunderbird, and The Aladdin. Harold resided in Las Vegas until his death in 1977.
"The Most Happy Fella"
- Music and Libretto by Frank Loesser
- Based on Sidney Howard's "They Knew What They Wanted"
- Opened May 3, 1956 at the Imperial Theatre (New York) and ran for 676 performances.
- Performed at the Music Circus May 31 thru June 22, 1958
"Music in the Air"
- Music by Jerome Kern - Book and Lyrics by Oscar Hammerstein II
- Based on Sidney Howard's "They Knew What They Wanted."
- Opened November 8, 1932 at the Alvin Theatre (New York) and ran for 342 performances.
- Performed at the Music Circus July 14 thru July 19, 1953
One day Bruno takes Sieglinde to the Munich zoo where Sieglinde is warned by Cornelius, a bird-seller, that as she and Karl are country people, it is not wise to stay in a big town. Sieglinde spurns an unwanted pass from Bruno whilst Frieda finds Karl equally unresponsive. Frieda plans to leave for Berlin to star in a new film. Before she leaves she warns Karl that Bruno will cast Sieglinde aside as soon as he has used her. It is left to Karl to tell the producer of the show that Frieda has left. Bruno insists, to Karl's chagrin, that Sieglinde can take over the leading role in the operetta. Resulting from machinations of her father, and a somewhat chaotic dress rehearsal it becomes evident that Sieglinde is far too inexperienced to take on a leading role. As a result Bruno's affections vanish. Walther and Sieglinde are told in no uncertain terms that the theatre is no place for amateurs and they should return to their home. They do.
"The Music Man"
- Music, Lyrics, and Book by Meredith Willson
- Story by Meredith Willson and Franklin Lacey
- Opened December 19, 1957 at the Majestic Theatre (N.Y) and ran for 1375 performances.
- Performed at the Music Circus June 19 thru July 1, 1962
- Performed at the Music Circus September 4 thru September 9, 1962
- Performed at the Music Circus July 7 thru July 12, 1964
When they approach him he turns them into a barber-shop quartet and disappears. An old friend has warned him about Marian, the town librarian and music teacher. To Harold this is an old problem, but his advances are met with a brick wall. Later at the Fourth of July celebration Harold takes advantage of a disrupting prank to move in and sell his band idea. The Mayor continues to push for proper credentials, but Harold is slippery. Marian's research pays off, but she withholds the evidence when she discovers Harold is helping her brother, Winthrop, to cure his speech impediment,. With the exception of the Mayor, the town is now under Harold's spell. Even Marian is coming around. The band instruments have arrived, but it takes a little longer for the uniforms and instruction books.
Future band members have been busily working on Harold's "Think System" of musicianship, and Harold has just met Marian at the footbridge. She confesses that she has known he was a fake since the third day he was in town. Now it's Harold who is off balance. The uniforms arrive but so does Charlie Cowell, the anvil salesman, Harold's arch enemy. Marian tries to prevent Charlie from getting to the Mayor, but is unsuccessful. She wants to warn Harold, but Charlie reaches him first. He still has time to run, but can't. He's hooked on Marian.
The angry town, hearing that he's a fake, drags Harold to the ice cream social where everyone has gathered. The talk is ugly, but Marian speaks out in his defence. She's a good salesman herself, but there's a pay-off. The band arrives in assorted, unaltered, uniforms. Harold is handed a baton. "Think, men, think" is his command. At the drop of his arm comes the "Minuet in G" as it has never been "played" before. But each struggling note is music to each parent's ears. Harold has his band at last - and a truly loving librarian besides.
"My Fair Lady"
- Music by Frederick Loewe - Book and lyrics by Alan Jay Lerner
- Based on George Bernard Shaw's 1913 play "Pygmalion"
- Opened March 15, 1956 at Mark Hellinger Theatre (N.Y) and ran for 2,717 performances.
- Performed at the Music Circus August 4, thru August 30, 1964
- Performed at the Music Circus August 17 thru August 22, 1965
Eliza is learning how to speak and act as an upper-class lady. She is taken to the social event of the season, the race meeting at Ascot where she manages to charm everyone - in spite of the odd lapse in speech - and especially a young man by the name of Freddy Eynsford-Hill.
Later she attends a magnificent ball where she is studied most intently by one of Higgin's ex-students, Zoltan Kaparthy who suggests to all around that Eliza is obviously a member of a European noble family. Once again Eliza has carried off the deception but receives no praise or acknowledgement of her achievements from Higgins. Deeply upset by his lack of feeling she leaves his home to stay with his mother, Mrs Higgins.
Higgins cannot understand Eliza's actions and visits her at his mother's home where he is told, in no uncertain terms, by her that he is a rude, selfish, egomaniac. He leaves and back in his study muses over the differences between a woman and a man. The door opens and Eliza is back. Irascible as ever, Higgins demands his slippers as the curtain falls!
"My Maryland"
- Music by Sigmund Romberg - Lyrics, and Book by Dorothy Donnelly
- Based on the play, "Barbara Frietchie" by Clyde Fitch
- Opened September 12, 1927 at Jolson's 59th Street Theatre (N.Y) and ran for 312 performances.
- Performed at the Music Circus August 3 thru August 8, 1954
Three months after this alleged incident, Frietchie died. She was buried alongside her husband, who had died in 1849, in the German Reformed Cemetery in Frederick. Later, in 1914, her remains were moved to Mount Olivet Cemetery along with a new memorial.
"Naughty Marietta"
- Music by Victor Herbert - Lyrics by Rida Johnson Young - Book by Rida Johnson Young
- Opened November 7, 1910 at the New York Theatre (N.Y) and ran for 136 performances.
- Performed at the Music Circus 1949
- Performed at the Music Circus 1951
"The New Moon"
- Music by Sigmund Romberg - Book and Lyrics by Oscar Hammerstein II, Frank Mandel, and Laurence Schwab
- Opened September 19, 1928 at the Imperial Theatre (N.Y) and ran for 519 performances.
- Performed at the Music Circus June 3 thru June 11, 1950
- Performed at the Music Circus June 23 thru June 28, 1953
- Performed at the Music Circus August 16 thru August 21, 1960
Robert is a young French aristocrat whose revolutionary inclinations force him to flee his country. He sells himself as a bond-servant to planter and ship owner Monsieur Beaunoir and his family in New Orleans. As the police of Paris are looking everywhere for him, Robert cannot tell Beaunoir or his beautiful daughter Marianne whom he has fallen in love with, that he is of noble blood. Eventually he is tracked down by Vicomte Ribaud, the detective villain, and put aboard The New Moon so that he can be deported back to France. Robert thinks he has been betrayed by Marianne, who has gained her father's consent to travel on the same ship, pretending she is in love with Captain Duval. There is a mutiny but Robert takes charge and the bond-servants come into power. Everyone goes ashore on the Isle of Pines and a new republic is founded which flourishes under Robert's guidance. But Marianne, her pride hurt, at first refuses to marry Robert. Then Vicomte Ribaud makes a final attempt to conquer the island for the King of France. He is surprised to hear from the French Commander that there has been a revolution in France, and that all aristocrats like himself must die unless they renounce their titles. While he, ever the Royalist, goes to his inevitable doom, there follows a happy reunion for Citizen Robert and Citizeness Marianne.
"No, No Nanette"
- Music by Vincent Youmans - Lyrics by Irving Caesar and Otto Harbach - Book by Otto Harbach and Frank Mandel
- Opened September 16, 1925 at the Globe Theatre (N.Y) and ran for 321 performances.
- Performed at the Music Circus August 1 thru August 6, 1950
Spending money makes Jimmy happy, and his three friends around the country are more than willing to spend Jimmy's money for him...and make him happy. Jimmy becomes nervous that Sue will find out about the three girls and misunderstand his relationships with them, so he asks his friend and lawyer, Billy Early, for his help. Jimmy offers Billy ten thousand dollars if Billy will end his relationships with the three girls for him. Billy agrees to this, because as it happens, his wife Lucille is on a permanent spending spree. Billy plans to take Tom, Lucille's nephew and his law clerk, with him to meet with each of the three girls in San Francisco, Boston and Washington.
The Smiths have an adopted daughter, Nanette, who is in love with Tom. But before Nanette settles down, she wants to have some fun. That weekend all her flapper friends are motoring down to Atlantic City, but Sue refuses to allow Nanette to go unchaperoned. Jimmy volunteers to take Nanette for the weekend, and they stay at Chickadee Cottage, a weekend place the Smiths own but rarely use. Without knowing Jimmy and Nanette's plans, Billy and Tom decide, instead of traveling all over the country, to meet the three girls in Atlantic City. And, with unexpected free time, Sue and Lucille decide to go off on their own for the weekend, to Atlantic City. At the end of the first act, we anticipate all of them meeting unexpectedly at Chickadee Cottage.
The second act begins with Nanette having the time of her life at the beach. The three girls arrive to meet Billy, only to find Jimmy there. It is no surprise that each girl wants Jimmy for herself. When Billy and Tom arrive they try to take over the situation, but the girls are not that easily bought off. Nanette runs into Tom, and both are disturbed that the other is in Atlantic City. Sue and Lucille arrive for their quiet weekend, to discover all the others. Of course there is a series of complications and misunderstandings. The stage is filled with amazed and bewildered people, and unexpected comings and goings. By the end of the act, everyone seems to be in an unsolvable situation.
In the third act things get even more complicated. There are marriages about to be broken, love affairs ended, the threat of scandal, blackmail and more. By the curtain's fall everything is cleared up and everyone is happy.
"No Strings"
- Music and Lyrics by Richard Rodgers - Book by Samuel Taylor
- Opened March 15, 1962 at the 54th Street Theatre (N.Y) and ran for 580 performances.
- Performed at the Music Circus June 23 thru June 26, 1964
"No Time for Sergeants"
- Adapted for the stage by Ira Levin
- Based on the novel by Mac Hyman
- First appeared as an episode on The United States Steel Hour television series in 1955 written by Ira Levin.
- Opened October 20, 1955 at the Alvin Theatre (N.Y) and ran for 796 performances.
- Performed at the Music Circus September 16 thru September 28, 1958
"Oklahoma!"
- Music by Richard Rodgers - Book and Lyrics by Oscar Hammerstein II
- Based on Green Grow the Lilacs by Lynn Riggs
- Opened March 31, 1943 at the St. James Theatre (N.Y) and ran for 2212 performances.
- Performed at the Music Circus September 7 thru September 26, 1954
- Performed at the Music Circus July 2 thru July 14, 1957
"Oliver"
- Music, Lyrics, and Book by Lionel Bart
- Based on Charles Dickens' Oliver Twist
- Opened January 6, 1963 at the Imperial Theatre (N.Y) and ran for 774 performances.
- Performed at the Music Circus July 27 thru August 15, 1965
"On a Clear Day You Can See Forever"
- Music by Burton Lane - Book and Lyrics by Alan Jay Lerner
- Opened October 17, 1965 at the Mark Hellinger Theatre (New York) and ran for 280 performances.
- Performed at the Music Circus July 11 thru July 16, 1967
"On the Town"
- Music by Leonard Bernstein - Lyrics by Betty Comden, Adolph Green - Book by: Betty Comden, Adolph Green
- Opened December 28, 1944 at the Adelphi Theatre (New York) and ran for 463 performances.
- Performed at the Music Circus August 13 thru August 25, 1957
The tone of the show is set when the boys enter a subway station and Gabey spots "Miss Turnstyle" of the month. He becomes infatuated by her pretty smile and glamorous description, and gives the three men a mission: in a city of 2.5 million women, find this billboard girl: Ivy Smith. As a policeman chases them because Gabey takes the billboard off the wall, the three split up and the fun begins. Gabey heads for Carnegie Hall where Ivy takes singing lessons, Ozzie heads toward the Museum of Modern Art where she studies painting, and Chip tries to find her through the marketing division of the subway that made her "Miss Turnstyle."
It's no surprise that Chip becomes distracted from his search by a cab driver named Hildy Esterhazy, and Ozzie-who ends up in the wrong museum-is distracted by an engaged anthropology graduate student named Claire de Loon. In fact Ozzie is distracted enough to knock down a reconstructed dinosaur -Carried Away. As luck would have it, Gabey finally ends up at Carnegie Hall and actually finds Ivy -Lonely Town. She is standing on her head during a singing lesson, waiting for Madam Dilly, her instructor, to come back from a quick trip to buy some Scotch. Gabey makes plans to meet Ivy that night in Times Square, and meets Madam Dilly who doesn't approve of Ivy spending her time with him.
Ozzie ends up at Claire's beautiful apartment, where they are unexpectedly interrupted by her naive fiancé. Chip joins Hildy at her modest apartment, where he meets her roommate, Lucy. -Come Up to My Place and -I Can Cook Too. Gabey goes to Times Square to meet Ivy at the agreed upon time, but she never shows up -Lucky to Be Me. It seems on her way to meet Gaby, Ivy runs into Madam Dilly, who insists she go to work at Coney Island that night rather than waste her time with Gabey. Ready for their big night on the town, the three sailors are short one girl. So Hildy calls her roommate Lucy to join them.
The first stop is Diamond Eddie's where the five plan to meet up with Lucy. Unfortunately, she misunderstands where they are, and never makes it. The group does, however, run into Claire's fiancé, Judge Pitkin W. Bridgework, who gets stuck with the bill, as the five rush off to the Congacabana where they hope to find a livelier time. But the second club is also not upbeat enough, so the five rush off to a third club, the Slam-Bang, just as Pitkin arrives to meet them at the Congacabana -Ya Got Me. Again, Pitkin gets stuck with their bill, as well as stuck waiting for Lucy to show up. Slam-Bang ends up being a fun spot, but the group doesn't stay to enjoy it. It turns out that Madam Dilly is there, and Gabey recognizes her. The music teacher tells Gabey where Ivy is working, so Gaby dashes out of the club to find her. His four friends race after him, this time leaving Pitkin with Lucy at Slam-Bang.
Once on Coney Island Gabey finally finds Ivy. He is joined by his four friends, but before the group of six have a chance to relax, they are cornered by everyone they encountered during the past 20 hours; they are arrested. Pitkin finally wisens up, and doesn't use his influence to keep the group out of jail. The next morning the three sailors are escorted by policeman back to their ship, and a new ship docks. A new crew of sailors prepares for their own 24 hour leave, and we all know their adventure will be enjoyable.
"Paint Your Wagon"
- Music by Frederick Loewe - Lyrics and Libretto by Alan Jay Lerner
- Opened November 12, 1951 at the Shubert Theatre (New York) and ran for 289 performances.
- Performed at the Music Circus September 22 thru September 27, 1953
- Performed at the Music Circus August 20, August 25, 1963
Ben realizes that Jennifer is not such a "little girl" anymore and decides it is time for her to leave on the next Eastbound coach to be educated. Jacob, a middle aged Mormon, arrives at Rumson and is only allowed to stay on the condition that he auctions one of his two wives. After some deliberation he agrees and Elizabeth is sold to Ben, much to Jennifer's disgust who packs her bags and runs to Julio's cabin in the mountains. After some discussion she decides to go East to school, and return when Julio has made his fortune.
Jake, a miner in his thirties, makes his money, builds a Music Hall and consequently sends for his wife, Cherry. With her she brings a wagon load of fandangos - much to the men's delight! As with all good things, the gold begins to run out and slowly the men pack up and leave. Jennifer returns, unexpectedly, intending to marry Julio whom she later learns has left for the mountains in search of gold. (She is now very noticeably a "young lady"!) News that gold has been struck forty miles away heralds a new gold rush, although Ben decides he cannot leave Rumson, his home town. The story ends when Julio returns, by chance, and Jennifer runs into his arms!
"The Pajama Game"
- Music and Lyrics by Jerry Ross and Richard Adler - Book by George Abbott and Richard Bissell
- Based on "7½ Cents" by Richard Bissell
- Opened on May 13, 1954, at the St. James Theatre (New York), and ran for 1,063 performances.
- Performed at the Music Circus June 1 thru June 30, 1957
- Performed at the Music Circus August 27 thru September 1, 1963
- Performed at the Music Circus August 13 thru August 18, 1968
During the picnic for the factory workers he makes better progress but their estrangement is reinforced when they return to the factory. A go-slow is staged by the Union, strongly supported by Babe. Sid, as factory superintendent, demands an 'honest day's work' and threatens to fire slackers. Babe is enraged by his attitude and kicks her foot into the machinery, causes a general breakdown and is immediately fired by Sid.
Hines, the popular efficiency expert, is in love with Gladys the President's secretary. Periodically, he brings a more optimistic outlook to the life of the factory. Becoming convinced that Babe's championship of the Union is justified, Sid simulates an interest in Gladys by taking her out for the evening to the night club, Hernando's Hideaway.
Through her help he is eventually able to gain access to the firm's books and discovers that the boss has been adding to his price the pay increase demanded by the workers. Sid then brings about his boss, Hasler's, consent to a pay rise and is able to bring peace to the factory and to his love life. Everyone goes out to celebrate - at Hernando's Hideaway.
"Panama Hattie"
- Music and Lyrics by Cole Porter - Book by Herbert Fields and Buddy G. DeSylva
- Opened on October 30, 1940, at the 46th Street Theatre (New York) and ran for 501 performances.
- Performed at the Music Circus June 16 thru June 21, 1953
"Plain and Fancy"
- Music by Albert Hague - Lyrics by Arnold Horwitt - Book by Joseph Stein and Will Glickman
- Opened on January 27, 1955, at the Mark Hellinger Theatre (New York) and ran for 461 performances.
- Performed at the Music Circus 1956
- Performed at the Music Circus July 16 thru July 28, 1957
- Performed at the Music Circus August 9 thru August 14, 1960
- Performed at the Music Circus August 6 thru August 11, 1968
"Redhead"
- Music by Albert Hague - Lyrics by Dorothy Fields - Book by Herbert and Dorothy Fields, Sydney Sheldon and David Shaw
- Opened on February 5, 1959, at the 46th Street Theatre (New York) and ran for 455 performances.
- Performed at the Music Circus 1960
"The Red Mill"
- Music by Victor Herbert - Book and Lyrics by Henry Blossom
- Opened on September 24, 1906, at the Knickerbocker Theatre (New York).
- Performed at the Music Circus July 18 thru July 23, 1950
- Performed at the Music Circus 1954
The Innkeeper, Willem, and Burgomaster have daughter trouble. Neither girl is willing to accept as husband the men their fathers have selected for them. Gretchen loves Captain Doris van Damm while her father prefers the governor of Zeeland. Our two Americans, Con and Kid become Gretchen's allies in her efforts to marry the Captain and assist in Gretchen and van Damm eloping. Willem overhears the lovers' plot and tells the Burgomaster. He locks Gretchen in the mill where she pines away for the man she loves. Kid and Con try to rescue her by taking her through the window and to safety on the arms of the windmill. However, the Burgomaster has made all arrangements for the marriage of his daughter to the governor. The wedding festivities are enlivened by the intermittent appearance of our two Americans in various disguises in an attempt to delay the wedding. When it is discovered that Captain Van Damm is heir to a large fortune, all resistance to him collapses: the lovers are united and the Americans return home to New York.
"Rio Rita"
- Music by Harry Tierney - Lyrics by Joseph McCarthy - Book by Guy Bolton and Fred Thompson
- Opened on February 2, 1927, at the Ziegfeld Theatre (New York) and ran for 494 performances.
- Performed at the Music Circus June 27 thru July 2, 1950
"Roberta"
- Music by Jerome Kern - Book and Lyrics by Otto Harback
- Based on the novel Gowns by Roberta by Alice Duer Miller
- Opened on November 18, 1933, at the New Amsterdam Theatre (New York) and ran for 294 performances.
- Performed at the Music Circus June 24 thru June 29, 1952
"Rosalinda"
- Music by Victor Herbert - Book and Lyrics by Henry Blossom
- Opened on October 28, 1942, at the 44th Street Theatre (New York) and ran for 611 performances.
- Performed at the Music Circus 1949
"Rose Marie"
- Music by Rudolf Friml and Herbert Stothart - Book and Lyrics by Otto Harbach and Oscar Hammerstein II
- Opened on September 2, 1924, at the Imperial Theatre (New York) and ran for 557 performances.
- Performed at the Music Circus 1949
- Performed at the Music Circus 1951